Fstoppers

Photographing in snow presents unique challenges. The light is harsh, reflections are intense, and the cold can affect your equipment. But with the right techniques, you can transform a snowy scene into a beautifully lit portrait. This video focuses on using light direction, ambient light, and composition to elevate your snowy portraits, offering practical tips for handling these tricky conditions.

Lighting plays a crucial role in shaping a portrait, and sometimes, it’s worth bending the rules to capture a unique shot. When you’re working in a stunning location, balancing ideal lighting techniques with the composition can push you to make creative decisions that break away from the norm.

For years, Canon held the distinction of offering the only f/2 standard zoom lens. Now, Sony has unveiled their answer with the FE 28-70mm f/2 GM, and it's poised to redefine expectations.

Sony's new a1 II mirrorless camera represents the pinnacle of hybrid shooting technology, combining exceptional resolution with blazing-fast performance. The a1 II builds upon its predecessor's foundation while introducing refined features that cater to professionals who demand versatility and reliability in every shooting scenario.

Focus stacking can take your macro photography to a new level by allowing you to capture every detail of a subject in perfect clarity, even when that subject has considerable depth. It’s especially helpful for macro shots, where your focus plane is often razor-thin. But capturing a sharp, focus-stacked image doesn’t end with taking hundreds of shots in the field; processing them correctly is equally crucial.

Someone on social media stated “A pro would never use a Z50!” If you’re not familiar with Nikon, this is their crop sensor entry-level camera, costing $860. I’ve heard similar statements dozens of times—matter-of-fact assertions about what pros do, usually made by photographers who aren’t actually professionals.

Sigma has officially announced the pricing and availability of four APS-C format DC DN prime lenses for Canon's RF mount system. The lenses, part of Sigma’s Contemporary line, include the 16mm f/1.4, 23mm f/1.4, 30mm f/1.4, and 56mm f/1.4, and are designed for photographers and videographers seeking compact, high-performance lenses. These additions expand Sigma’s APS-C lens offerings to six for the RF mount.

Fujifilm has unveiled the development of its first medium format filmmaking camera, the GFX ETERNA, which is scheduled for release in 2025. Featuring a medium format 102 MP sensor and advanced processing technology, the GFX ETERNA is designed to deliver high-quality, true-to-life visuals for filmmakers working in feature films, television, documentaries, and web streaming content.

Sony has introduced the 28-70mm f/2 G Master, the first zoom lens in its E-Mount lineup with a constant f/2 aperture. This lens combines a versatile focal range, fast aperture, and compact design, aimed at professionals across photography and video disciplines.

Sony Electronics has officially unveiled the a1 II, a follow-up to its 2021 flagship a1. Combining high resolution, speed, and advanced AI-powered features, the a1 II aims to serve professionals in fields like photojournalism, wildlife, sports, and commercial photography.

Choosing the right 135mm f/1.8 lens for your Sony E-mount camera can be tricky, especially with options ranging from the high-end Sony FE 135mm f/1.8 GM to the budget-friendly Samyang AF 135mm f/1.8 FE. Each lens offers unique strengths, from image quality, to price, and more.

When you buy a camera, the decision to keep the kit lens or upgrade immediately is on your mind. Kit lenses, bundled with camera bodies, are often lightweight and versatile but have a reputation for being limited.

I love prime lenses—they’re always my preference—but I had to travel across Spain recently to make a documentary film and was traveling light. I had to pick my lenses carefully, so I chose the 24-70mm as my main lens. I quickly discovered it was the perfect travel lens.

Photography can feel saturated these days, with everyone snapping away on their smartphones or cameras. If you want your photos to stand out, mastering a few straightforward techniques can make a huge difference. These tips are easy to apply and will help you capture more captivating images.

Long exposures and intentional camera movement (ICM) open up a side of photography that’s impossible to capture with the naked eye. They create ghostly, dynamic images that capture the essence of movement, emotion, and atmosphere, transforming everyday scenes into ethereal, dreamlike compositions.

So many of us photographers seem to have an insatiable appetite for camera gear. For some, it’s G.A.S. (gear acquisition syndrome), while others are honing their photographic experiences into a seemingly futile and almost never-ending quest to trade up to the perfect camera. For a rare few, they have found their gear and are sticking to it.

Capturing compelling images in busy, chaotic spaces requires a mix of patience and creativity. With the right techniques, you can turn even the most overwhelming environments into opportunities for striking compositions.

Adjusting brightness, contrast, and color in an image can change everything about a photo’s mood and focus. Two key tools in Photoshop that allow you to manipulate these aspects precisely are the Levels and Curves adjustments. Each tool has its strengths and hidden features that provide control over light and color in ways that are unique to each method.

Landscape photography, often romanticized as a calm pursuit, is, in reality, a demanding test of patience. Unlike studio photography, where they control the lighting, backdrop, and subject, we landscape photographers must yield to nature’s rhythm. Whether it’s the color at golden hour, a dramatic storm, or a perfectly composed scene, capturing the ideal moment requires unwavering patience.

Digital film simulations have become a popular way to capture the look of classic film stocks without the hassle of processing and scanning. They’re practical for anyone who wants a specific aesthetic without spending time on extensive post-processing, and they give you the freedom to focus on composition and light.

The Olympus M.Zuiko Digital ED 60mm f/2.8 Macro is a compact, versatile macro lens that excels in close-up photography. If you’re looking for an option that balances impressive magnification with portability at a competitive price, this lens offers a practical solution, making it a solid choice for capturing detail-rich images of insects, plants, and other small subjects.

Tabletop tripods are always nice to have whenever the need arises. While most mini tripods have the same features and functions, this one might offer more uses than most.